As I read back through old posts, I was reminded we’ve been here before. Back in October 2014, it was Ebola, another virus of considerable risk. At that time, my concerns centered on my elderly mother as well as my mother-in-law who passed away in 2017. Right now it’s my mom (now in her 94th year) who remains foremost in my thoughts. Continue reading “Been There, Done That”
Honestly, it sounds almost so silly to say but . . . few things raise my ire as much as careless (or ignorant) use of language. Yesterday, this video (below) by Rep. Alexandra Ocasio-Cortez (AOC) received attention on various web services and blogs. Referring to her as the “Bronx Bolshevik,” Biz-Pac Review ridiculed her cringe-worthy assertions.
Is this a real clip?
— Joel Fischer (@JFNYC1) March 11, 2020
One of AOC’s Democratic challengers, Michelle Caruso-Cabrera said: “keeping AOC in office makes us (the citizens of NY-14) look like fools.” Twitter posts were amusing and predictable. I leave it to others to express their reactions as they may.
For me, my first impulse was to ignore the video. I dislike contributing additional views to any video I consider inane. But AOC’s statement irked … specifically the repeated use of that non-word: patroning. My spell-checker rejects the nonword, and so do I!
No matter how often I’ve seen it, this 2017 Progressive Insurance commercial always makes me laugh. I’m reminded what the commercial says about human nature. More to the point, it demonstrates the human propensity to ignore the old adage: speak less, listen hard. When someone mentions taking the kids to soccer practice and you’re willing and ready to jump the cactus, there’s a definite failure to communicate.
This week’s news didn’t highlight the failure to communicate, but it did cause people to re-think their understanding about what it means “to hear.” Yes, I’m referring to the Laurel/Yanny debate initiated by a Reddit user posing a simple question: what do you hear? Continue reading “Jumping the Cactus”
We’ve reached the last verses of the final chapter of The Book of Job. Through poetry and prose, readers have witnessed Job’s catastrophic losses and torments. We’ve also heard from Job’s comforters, offering their point of view on why Job deserved to suffer.
The book is divided into 42 chapters. In October 2014, I first posted about my plan to compose (and post) a sonnet for each chapter. In early posts, I pared my compositions in order to condense each chapter’s narrative into the sonnet format of fourteen lines. Continue reading “The Man From Uz”
As The Book of Job opens, the reader occupies a ring-side seat within earshot of a heavenly discussion between the Creator and one of His created beings, the deceiver Satan. This introductory conversation centers on a man whom God describes as “my servant Job.”
As the conversation between God and Satan progresses (through the first two chapters of Job), the account is told via prose. Starting in chapter three, however, the events of Job’s life (and suffering) are related through poetry. This epic poem carries us all the way through chapter forty-two, verse six … after which the narrative reverts once again to prose. Continue reading “Forgiving The Comforters”
Job’s days eventually came to an end. Chapter 42 in The Book of Job presents a concluding narrative of Job’s latter days in seventeen compact verses.
Seventeen verses … hardly enough to offer the level of detail one might appreciate. We want to believe life is consequential, and I think there’s no argument Job’s life was consequential but seventeen verses seem an inadequate summary. Continue reading “Job’s Confession”
Last week, it was Behemoth. This week, there’s a new image as The Book of Job quickly draws to its close. This image is equally ominous and terrifying.
From Job chapter 40, the image of Behemoth is God’s first object lesson drawn from the natural world. As follow-up to that magnificent image, Job chapter 41 brings us to God’s discussion of a second created beast, Leviathan. Continue reading “No One So Fierce”
Throughout the preceding thirty-nine chapters of The Book of Job, we have a poignant picture of a great man brought low through misfortune and physical pain.
As I contemplate Job’s story, my focus lands on two significant elements. First, I recognize the historic Job as an Everyman, the quintessential character in an ageless tale of humanity and sin. The second element I see (one that provides crucial context) is the behind-the-scenes heavenly drama which occurs outside our human realm. Continue reading “Strength To Save”
We desperately need to hear God’s voice, to be reassured He cares about us. If we believe He is silent, our tendency is to conclude He doesn’t care. But when the God of Wonders speaks – really speaks! – there’s an opposite effect. We’re the ones who are awestruck to the point of silence. In that sense, we’re very much like our friend Job.
Looking once again at The Book of Job we’ve entered the final chapters of the book. In Chapter 39, there’s not a peep from Job. He’s been completely silenced as God continues to address his complaint. Continue reading “God of Wonders”
When God speaks, He offers sublime clarity. Through thirty-seven chapters in The Book of Job, readers witness the multi-faceted drama. Initially, there’s a heavenly conversation taking place between Almighty God and Satan.
There’s also an ongoing earthly conversation between the suffering Job and his three comforters. Add to that the upstart monologue of Elihu as he belatedly chips in his two cents. And throughout the book, there’s Job’s handwringing challenge directed at a seemingly silent, unfeeling Creator. With his multiplicity of complaints, Job has thrown down the gauntlet, daring God to respond! Continue reading “The End of Silence”